______________________

Literary Theory: An
Anthology
(2/e)

HALF | AMAZON
______________________

MLA Handbook (8/e)

HALF | AMAZON
______________________

The MLA Style Center
______________________

NOTE: Readings IN YELLOW
must be annotated.
______________________

     

8/16
INTRODUCTIONS
8/18
Formalisms Intro (3-6)
Eichenbaum, Formal Method (7-14)
Shklovsky, Art as Technique (15-21)
Brooks, The Formalist Critics (22-27)

8/23
Wimsatt, Concrete Universal (40-49)
Structuralism / Linguistics (53-55)
Culler, Linguistic Foundation (56-58)

Saussure, General Linguistics (59-71)

8/25
Propp, Morphology (72-75)
Jakobson, Two Aspects (76-80)
Barthes, Mythologies (81-89)

8/30
Foucault, Archeology (90-96)
Rhet / Reader Resp Intro (127-130)
Austin, How To Do Things (162-176)
9/1
Fish, Interp Comm (217-221)
Fish, How to Recognize (HO)

9/6
Frow, Text and System (222-236)
Bourdieu, Distinction (237-253)
Bourdieu, Forms of Capital (HO)
9/8
Post-Structuralism Intro (257-261)
Barthes, Death of the Author (HO)

9/13
Nietzsche, Truth and Lying (262-265)
Derrida, Différance (278-299)

Derrida, Sem and Gramm (332-339)

9/15
Cixous, Newly Born Wom (348-354)
Lyotard, Pomo Condition (355-364)
Baudrillard, Simulacra (365-377)

9/20
Psychoanalysis Intro (389-396)
Freud, Interp of Dreams (397-414)
Freud, The Uncanny (418-430)

9/22
Lacan, The Mirror Stage (441-446)
Lacan, Insist of the Letter (447-461)

9/27
Fanon, Negro and Psych (462-469)
Historicisms Intro (505-507)
Foucault, Disc and Punish (549-566)
9/29
Montrose, Prof the Renaissance (584-591)
Greenblatt, Exorcists (592-620)

10/4
Pol Crit / Marxism Intro (643-646)
Hegel, Dialectics (647-649)
Marx, Grundrisse (650-652); Ger. Ideo. (653-658);
Wage Labor & Cap. (659-664); Capital (665-672)
10/6
NO CLASS - FALL BREAK


10/11
Gramsci, Hegemony (673)
Althusser, Ideo and ISAs (693-702)
Bakhtin, Disc in the Novel (674-685)
10/13
Bakhtin, Rabelais (686-692)

10/18
Abigail - 3:30pm
Catherine - 3:45pm
Krissy - 4:00pm
Kevin - 4:15pm

10/20
Feminism Intro (765-769)
Rubin, Traffic in Women (770-794)
Gilbert and Gubar, Attic (812-825)


FINAL PROJECT PART I DUE

10/25
Gender Studies Intro (885-888)
Rubin, Sexual Trans (889-891)
Foucault, History of Sexuality (892-899)
Butler, Performative Acts (900-911)

10/27
Ethnic Studies / CRT Intro (959-963)
Haney-López, Social Const (964-974)

FINAL PROJECT PART II DUE

11/1
Mackey, Sight-Specific, Sound-Specific

ESSAY AVAILABLE HERE.

11/3
Gates, Signifying Monkey (987-1004)
Morrison, Playing / Dark (1005-1016)


11/8
Colonial / Po-Co Intro (1071-1074)
Loomba, PoCo Studies (1100-1111)
Said, Austen and Empire (1112-1125)
11/10
Ngugi, Decol the Mind (1126-1150)
Brathwaite, Caribbean (1151-1166)


11/15
McClintock, Progress (1185-1196)
Kincaid, A Small Place (1224-1229)
11/17
Cultural Studies Intro (1233-1234)
Benjamin, Mech (1235-1241)
Hork + Adorno, Cult Ind (1242-1246)


11/22
Fiske, Culture, Ideology (1268-1273)

Fiske, Television Culture (1274-1284)
Hebdige, Subculture (1258-1267)
11/24
NO CLASS - THANKSGIVING

11/29
Clune, You Can't See Me (HO)


FINAL PROJECT ANNOTATIONS DUE

12/1
FINAL PROJECT PRESENTATIONS

12/6

12/8
FINAL EXAM SLOT 3:30pm to 5:30pm